A Blueprint for Ruins

A Blueprint for Ruins
ZHANG DALI 张大力, Square 9, 2014, resin, 180 x 170 x 90cm 3 Photography Hamish-McIntosh

A Blueprint for Ruins Curated by David Williams
20th December 2023 – 12th May 2024
White Rabbit Gallery
30 Balfour Street
Chippendale NSW 2008

Beneath the glossy surface of progress lurks a simmering undercurrent of violence. Cities tear themselves apart to make way for towering skyscrapers and gleaming high-rises. However, in this bright new world, one question arises: where have all the people gone?

Streets devoid of life and vacant apartment blocks stand as haunting reminders of an abandoned dream. Like solemn tombs from a long-lost civilisation, these forgotten monuments silently bear witness to the cost of rapid urbanisation, where each new creation necessitates the destruction of another.

A Blueprint for Ruins
BAIYILOU白宜洛 Illumination 2011 antique household lamps approx. 600cm diameter 4 Photography Hamish McIntos

As China’s cities race to embrace modernity in a never-ending dance of renewal, buildings are designed to be demolished even before their completion. The casualties of development are left to drift through the ruins of their ruptured world. Displaced individuals and their stories echo through abandoned spaces, once home to ancestral sites and legacies of long family lineages.

Amidst the rubble, however, stand ‘nail houses’, occupying land of immense value. Weaving another layer into China’s complex landscape, they are a testament to both impermanence and resistance against rapacious developers and government-sanctioned mass clearances.

A Blueprint for Ruins
CHEN WEI 陈维 Drunken Dance Hall 2015 wood steel luminescent paint broken glass lights acrylic mirrors site specific dimensions variable_18
Photography Hamish McIntosh

A Blueprint for Ruins’ reverberates with the shadows of the dispossessed within China’s urban metamorphosis. The artworks guide us toward the remnants of memories woven into the very fabric of each structure, even as the walls crumble. As the artist Hu Weiyi poignantly writes: “It’s as if every abandoned building, about to disappear, is attempting to sing its last note, and eventually they will come together to form a requiem for an era.”

A Blueprint for Ruins
ZHANG DALI 张大力, Square 9, 2014, resin, 180 x 170 x 90cm 3 Photography Hamish-McIntosh

The White Rabbit Gallery was established in 2009 to share Judith Neilson’s private collection of 21st-century Chinese art with the public. A Blueprint For Ruins is the 28th exhibition in the Gallery, which is a registered charitable institution funded solely by Judith Neilson.

A Blueprint for Ruins Curated by David Williams opens on the 20th of December 2023 until the 12th of May, 2024 at White Rabbit Gallery

©2024 White Rabbit Gallery

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