Susan Aldworth: Belongings

Susan Aldworth: Belongings
Susan Aldworthy. Exile installtion shot.

Susan Aldworth: Belongings
2nd October, 2024 – 8th November, 2024
King’s College London
The Arcade, Bush House
Strand
London
WC2B 4PJ

Belongings, a new, free and immersive exhibition from renowned artist Susan Aldworth and its accompanying programme of events, will open in the  Arcade, Bush House, on London’s Strand, from  2 October until 8 November 2024. Challenging anti-asylum narratives,  Aldworth’s work aims to create a sense of belonging amongst people seeking sanctuary; while challenging others to consider what action they can take to support them to truly feel and know that they belong. Belongings is presented as part of a new free arts and ideas programme,  Lost and Found: Stories of sanctuary and belonging, curated by King’s Culture.

Susan Aldworth: Belongings
BELONGINGS, installation by Susan Aldworth, 2023.
Photograph by Scott Murray

Susan Aldworth’s exhibition centres the imagined contents of the suitcase her  grandmother, Luigia, brought with her when she was migrating from Northern Italy to London, exactly one hundred years ago in 1924. Luigia was just 23 years old, newly married and carrying a small baby. She was travelling alone. In her small suitcase, alongside basics for her and the baby, was her grandmother’s linen nightdress which had been  passed down to each generation. Thirty-five individual antique clothes, including a nightdress that was in the original suitcase, are hand-embroidered with family photographs, stories and recipes. Suspended in mid-air, they highlight the transitory and emotional nature of an uprooted life.

Susan Aldworth: Belongings
BELONGINGS installation by Susan Aldworth, 2023.
Photograph by Scott Murray

The exhibition seeks to challenge prevailing anti-immigration and anti-asylum narratives by fostering empathy, understanding, and connection between refugees, asylum seekers, and the broader society. BELONGINGS is important and timely considering that globally forced displacement is at a record high. 

BELONGINGS highlights the importance of creating inclusive spaces for refugees and migrants to share their stories and contribute to the community. It underscores the cultural, educational, and economic contributions of migrants while advocating for a more welcoming environment. The exhibition also explores how migration stories shape British identity, revealing the need for empathy and meaningful dialogue.

Susan Aldworth: Belongings
BELONGINGS, installation by Susan Aldworth, 2023. Photograph by Scott Murray

In the UK, despite a rich history of positive migration impacts, policies have made it sometimes difficult for people who are seeking sanctuary to feel that they belong. Increasing experiences of racism and discrimination emphasising that the challenges faced by migrants a century ago—such as stigma, prejudice, and the struggle to belong—remain relevant today.  Despite these experiences, migrants and sanctuary seekers greatly contribute to and enrich our communities culturally, educationally, economically, and through their work experiences and skills. 

Belongings Event Programme

A creative and thought-provoking events programme for Belongings accompanies the exhibition. It includes Hassan Akkad’s latest film Matar – a film about an asylum seeker confronting the harsh realities of the UK’s broken asylum system; an embroidery workshop where people seeking sanctuary and students can come together to embroider a tent and reflect on the notion of belonging, a public engagement workshop and talks that discuss displacement and belonging from different experiential and disciplinary perspectives. The programme also features a regional launch of the report by the Commission on the Integration of Refugees “From Arrival to Integration: Building communities for refugees and for Britain” which sets out realistic, evidence-based recommendations for a radical integration-focused reform of the immigration and asylum system. 

Susan Aldworth: Belongings opens on the 2nd of October, 2024 until the 8th of November, 2024 at King’s College London

©2024 Susan Aldworth